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It's all about Sienna. Director George Hickenlooper's best work has been "Mayor of Sunset Strip" and "Dogtown", neither of which drew much of an audience. "The Factory" was the entire fifth floor studio of 231 East 47th Street in Midtown Manhattan serving as artistic sanctuary for Andy Warhol and the place for artsy types in the mid to late 60's. Yes Dylan was known to the Factory but was not a daily participant like the VU. Peeew! It's easy to discount any talent she has when one heeds all the tabloid fodder swirling about her, but the girl has skills. Menu. But I'm still grappling with my own feelings; at moments I feel the film is too short, then check myself: did I really want to sit thru more along this film's lines? Maybe, for posterity, if no other reason. It is very rare that you see people walk out of a theater within 40 minutes of the opening credits, but I counted 8. That being said, the film is clearly just a device to propel Sienna Miller's extraordinary performance. To be fair, Sienna Miller does a wonderful job with the material she's been given. Give me a break. Not the best biopic I've seen recently (actually saw it on DVD last night). Yes. In the mid-1960s, wealthy debutant Edie Sedgwick meets artist Andy Warhol. I read Jean Stein's book. They develop a strange friendship and Edie becomes the muse of the Factory, Warhol's bizarre studio, and the star of Warhol's experimental movies. It's also where Edie Sedgwick spent most of her time as Warhol turned her into a starlet on his silver screen and as the original Paris Hilton she became famous for being famous, complete with trust fund and a nasty drug habit courtesy of Andy and his "Warhol Superstars". Guy Pearce is too "male" in every sense of the word to effectively portray the androgyny of Warhol. Do I want to see this again? She joins Warhol's famous Factory and becomes his muse. I mean her brother and widow have stated that it's an accurate portrayal, so I don't see how one could disagree. The director's eye and camera work are so exceptional that there is no story-telling...only showing. But she doesn't go deep. True, it wasn't a full blown picture given, and maybe that was on purpose. It tried to capture two iconic figures (Warhol and Dylan) or three, if you count Edie, and it failed. The only reason I didn't give this film a bottom of the barrel rating is because Guy Pearce is really quite brilliant in it. standing in the lobby afterward, scratching in answers on the questionnaire, I overheard comments from other moviegoers about their take; one comment that stood out was about how horrible Hayden's acting was, with "fake Dylan" voice/mannerisms. I don't really think any of the actors captured the realness of the people they were playing. Very much so. Although she seems to have it all, Edie cannot have the love she craves from Andy, and she has an affair with a charismatic musician, who pushes her to seek independence from the artist and the milieu. This amateurish biopic of Andy Warhol's tragic muse, Edie Sedgwick (Sienna Miller, terrible!) Con John Cusack, Mae Whitman, Jennifer … Another way, perhaps, to abridge this story: one picture would convey 1,000 words. Don't bet on it. Guy Pearce is also quite fantastic, and Hayden Christensen was much better than I expected him to be. Overall, the film is nothing special. This movie makes "Swept Away" look like "The Godfather." shouldn't have been made - at least not with such a poor screenplay/casting. Tale è, almeno, la tesi di Factory Girl; film, in un certo senso, diviso in due. I still don't. I had no problems with any of the performances, the cast taking the material and giving what may indeed be a mere contour image of the film's denizens. Guy Pierce was okay, and Hayden Christensen was not as terrible as one might think - they problem with both performances was that the script is terrible - it is hard to know if either of them could embody their roles when both men are only asked to portray very shallow caricatures of warhol and Dylan - forced to utter ridiculous dialogue that neither man would have ever said in 100 lifetimes - and stuck in a by the numbers lifetime movie about addiction - with all the insight that a television movie could muster (maybe even less insight, actually) i think Dylan does have a reason to sue - although i'm not sure it is the wisest approach - i think we just have to hope there is a special place in hades for people who make slanderous films about famous people because it is so hard to sue - and i think his suit will probably sell tickets - especially from what i could see at the screening i went to today - there were quite a few people for a late afternoon screening (1/2 to 2/3's full) - compare that to diane arbus's family which ignored fur and watched it disappear from theaters almost immediately after its release - as for sienna, she's in all of her acting class glory, looking cute in the first half of the movie and bedraggled in the second - i'm sure she and harvey were fishing for an award - but if you watch angelina jolie in gia and then watch miller in this you will see what a lightweight performance it truly is -. How can you do a film about Warhol and The Factory without any Velvet Undergrond & Nico characters and no mention of the Exploding Plastic Inevitable? But I'm still grappling with my own feelings; at moments I feel the film is too short, then check myself: did I really want to sit thru more along this film's lines? Gee, no worries about being sued over that invented dialogue, huh? ), the "Dylan" character completely unconvincing and the acting, save for Sienna Miller, who seemed to be trying, nothing more than uninspired. It follows Iris, a young, plain-looking factory worker living a lonely, impoverished and uneventful life in late 1980s Finland. Factory Girl (Arabic: فتاة المصنع ‎, Fataat El Masnaa) is an Egyptian romantic drama film directed by Mohamed Khan. Sienna Miller gamely resurrects the type of sex scene that thankfully died in 1975, but I guess these incompetetents must have thought it gave the movie a teeny bit of energy. Guy Pearce is too "male" in every sense of the word to effectively portray the androgyny of Warhol. Stephanie Zacharek Salon. Quit being part of the problem and be part of the solution towards embracing our reality. In the mid-1960s, wealthy debutant Edie Sedgwick meets artist Andy Warhol. Guy is easy, giving a most recognizable portrait of Andy, and making it look effortless. Not the best biopic I've seen recently (actually saw it on DVD last night). Movies about the lives of famous people allow us to open the door to their life-time choices and it was sad to see the trajectory of Edith Minturn Sedgwick, known by all her friends as "Edie." Gee, no worries about being sued over that invented dialogue, huh? Another way, perhaps, to abridge this story: one picture would convey 1,000 words. It's easy to discount any talent she has when one heeds all the tabloid fodder swirling about her, but the girl has skills. In particular,Lou Reed and John Cale were close to the Factory gang including Edie Sedgewick. I should have been the 9th. What seems apparent is that it is a coherent snippet in time about Edie, inaccurate or not. Very much so. by Francesca Owens. I don't really think any of the actors captured the realness of the people they were playing. Guy is easy, giving a most recognizable portrait of Andy, and making it look effortless. Guy Pierce tries hard but is too gaunt to be fleshy waxy Warhol. What was credible was the character's (referred to as "Musician") style -- ie, his clothing, etc, conveyed pretty much anything verbal the character might want to say. It tried to capture two iconic figures (Warhol and Dylan) or three, if you count Edie, and it failed. 45. would that make me feel better about spending $10.50? Was it worth it as-is? If you love Warhol, you've got to see this for yourself or die wondering how bad it was. This movie was, to make it brief, lacking. Warhol was an early inspiration and producer of the first VU & Nico album on Verve Recordings. The lone real bright spot in my view. Music. Greetings again from the darkness. The rich, young and pretty Edie Sedgwick, whose family life hides secrets that could be made into a Todd Solondz flick, goes to NYC in the 1960's and meets pop artist Andy Warhol (Guy Pearce, the only good thing about the movie). It is utterly incomprehensible how this managed to make it to the big screen. A woman's terribly dull life is upended by a one-night stand pregnancy, causing her to seek retribution. If you love Warhol, you've got to see this for yourself or die wondering how bad it was. Horrible dialogue (and, if it is the actual words, these people had nothing worthwhile to say! Grow the **** up!! Edie of course lands in rehab and, well, I won't give away the ending, but the New York audience I saw it with roared with laughter and grumbled about the time they had wasted sitting in the theater. True, it wasn't a full blown picture given, and maybe that was on purpose. Tune in tomorrow......maybe I'll have answers. I also thought the use of the musician character was quite amusing, simply because he was supposed to be a portrayal of Bob Dylan, and from what I have read, Bob Dylan barely even remembers Edie Sedgwick. This film could arguably be considered a cinematic paragon of one of Andy's works of art: something overtly commercial meant ultimately as a bit of tongue-in-cheek sarcasm, a private joke for those "privy to such griefs." Trying to make Sedgwick's American tragedy Warhol's fault is silly and slanderous. I was embarrassed for everyone. For the concerted effort Sienna Miller puts into her searing portrayal of Warhol protégé and underground celebrity Edie Sedgwick, it would have been rewarding to experience a film that matches her unbridled dramatic impact. It is kind of like watching a film about how good drugs are for you, as made by the very people who sell them, and without them even making an attempt to be honest about anything at all. When I heard of this movie, I thought, "Oh good! Metascore (27 reviews) Provided by Metacritic.com 75. this film makes art out of artists. Saw Layer Cake, in which her part was simple, but effective. Trying to make Sedgwick's American tragedy Warhol's fault is silly and slanderous. Director George Hickenlooper's best work has been "Mayor of Sunset Strip" and "Dogtown", neither of which drew much of an audience. Warhol got the point when he titled Edie's epic "Poor Little Rich Girl." However anyone who has ever even looked at more than a few years honestly in their entire lives, knows that nothing in real life resembles this total sham. Better than I had expected. When I heard of this movie, I thought, "Oh good! My lowest rating, period. Others that appear to be missing include Paul Morrissey, Delmore Schwartz,Micky Ruskin owner of Max's Kansas City and Robert Mapplethorpe. Typical of the sleaziness is the scenes of Warhol going to confession. Quit being part of the problem and be part of the solution towards embracing our reality. Not nearly as bad as it's made out to be. Is the story a bit aimless? I have read "Edie" by Jean Stein about a million times, so I could figure out a lot about what was wrong in the movie. I filled it out, but I'm sure my answers have changed back and forth several times since then. Do I want to see this again? I feel that the filmmakers rushed the film and they didn't give the story its just do. it is a beautiful, artful depiction of three people: andy warhol, edie, and bob Dylan (billy quinn). However any intelligent person wouldn't hesitate to wager their entire wealth (big or small), that this is not even nearly truth. Directed by Aki Kaurismäki. Then, and only then can we as a species truly move together in a positive direction. The Scandal. You try, but you just don't care about these people, and in a biopic (sort of) thats just not tolerable. That being said, the film is clearly just a device to propel Sienna Miller's extraordinary performance. | Is the story a bit aimless? The script fails to provide the background of any of the characters or the politics of the time in which they functioned, rendering the story superfluous. Tune in tomorrow......maybe I'll have answers. However I have never felt so manipulated by a director/writers after watching a film. would that make me feel better about spending $10.50? Others that appear to be missing include Paul Morrissey, Delmore Schwartz,Micky Ruskin owner of Max's Kansas City and Robert Mapplethorpe. Guy Pearce does a marvelous Warhol impersonation (not quite as good as David Bowie's in "Basquiat"), but wonderfully fascinating. Factory Girl is a movie that weaves three major characters Edie Sedgwick, Andy Warhol and Bob Dylan together in a tragic, real-life drama. I bet those 8 people who left early did, which is probably why they hated it so much. She doesn't show the pain she had on the inside, she simply screamed and cried dramatically when she gets the news. Much more fun than sitting through the movie is reading all the posts on IMDb from the true believers, most of whom are better informed than the director of this thing. It's 87 mins long, and at the entrance I was handed a questionnaire, beamingly asked to fill it out on my exit. In the rest of the film, her sad reactions were the same: cry and scream. I saw Alfie, and do not recall her performance. Edie of course lands in rehab and, well, I won't give away the ending, but the New York audience I saw it with roared with laughter and grumbled about the time they had wasted sitting in the theater. It's not necessarily bad, but it surely isn't great. This amateurish biopic of Andy Warhol's tragic muse, Edie Sedgwick (Sienna Miller, terrible!) We have to realize the exceptional talent at work here and awesome creativity on how the cast brings the hurt and pain to life; perhaps even hitting close to home to some. Mostly good cast is dealt outrageously homophobic script that pits mincing villain Warhol against studly hero Dylan. When she meets a hungry young artist named Andy Warhol, he promises to make her the star she always wanted to be. The really terrible thing about it all is that the film tries to come across as if it did really happen this way. She joins Warhol's famous Factory and becomes his muse. The Factory Girls is a play by Frank McGuinness.. My personal message to the director/writers who are obviously the most responsible for how this film comes across - We all make mistakes. My personal message to the director/writers who are obviously the most responsible for how this film comes across - We all make mistakes. Unfortunately, the numerous re-shoots the producers demanded reduce Andy Warhol -- ANDY WARHOL -- into an almost uninteresting opportunist. But I felt that the film did an accurate job of depicting Edie's life, since all that happened were parties, socializing and a terrible downfall. Is it just an hour and forty minutes of Edie going to fabulous parties, meeting fabulous people and slowly declining into a complete wreck of drugs and poverty? This film is so one sided, and clearly overly tries to make one character an innocent victim, and others the total reason for her entire downfall. Menu. The numerous inaccuracies of fact and tone are the least of it. | Awards & Events. Then, and only then can we as a species truly move together in a positive direction. They develop a strange friendship and Edie becomes the muse of the Factory, Warhol's bizarre studio, and the star of Warhol's experimental movies. This is a hateful film at it's core, and one of pure finger pointing and bitterness rather than any artistic observation or study at all. Please go back and do it again - properly. The director and writers should be sentenced to at least 5 years hard labour for this trash, where they can perhaps drop their ridiculousness and actually learn something about honesty and real life. Menu. Didn't the producers notice that the script was shoddy and the director giddy with lack of skill? But when Edie meets rock star Billy "I'm not Bob Dylan" Quinn (Hayden Christensen, almost as ridiculous as Sienna), Andy feels rejected and Edie finds herself divided between her "friends" from the Factory and Dylan's, oops, Quinn's love. It is kind of like watching a film about how good drugs are for you, as made by the very people who sell them, and without them even making an attempt to be honest about anything at all. The play is about five women whose jobs at a County Donegal, Ireland, shirt factory are under threat.It features only two male characters, and these only appear in two scenes. I don't know what the whole truth is in terms of the events in this film. I was embarrassed for everyone. Don't bet on it. Her transformation into Edie Sedgwick is the most precise and utterly flawless portrayal of a real life person I've ever seen. Basically every aspect of the film also seems to be filled with corner cutting, nothing in the film is well developed at all. it is a beautiful, artful depiction of three people: andy warhol, edie, and bob Dylan (billy quinn). Unfortunately, director George Hickenlooper, primarily a documentary filmmaker, seems more focused on eye-catching cinematic techniques - a deliberately artsy mix of overtly dramatic images, grainy film stock and slow-motion photography - than honest character development in this highly fictionalized 2007 account of her brief life. A great disappointment and overall a waste of time. Andy Warhol and The Factory poses quite the challenge to any filmmaker attempting to capture the look, feel and pain of that world unto itself. I didn't know how I felt about the movie. Much more fun than sitting through the movie is reading all the posts on IMDb from the true believers, most of whom are better informed than the director of this thing. John Cusack lotta contro il tempo per salvare sua figlia da un serial killer. It's all about Sienna. | Is it just an hour and forty minutes of Edie going to fabulous parties, meeting fabulous people and slowly declining into a complete wreck of drugs and poverty? I had a hard time filling it out. Guy Pierce tries hard but is too gaunt to be fleshy waxy Warhol. This movie is bad. External Reviews In particular,Lou Reed and John Cale were close to the Factory gang including Edie Sedgewick. How on earth did this film get made? If anyone wants to learn of Edie, you'd best read "Edie", the fascinating book edited by Jean Stein and George Plimpton. I am really sad to see the known name actors that chose to be involved in this terrible and quite frankly offencive piece of film-making. It's quite easily the second best performance of last year (the first being Hard Candy's Ellen Page) and one of the top five female performances of all time. Andy Warhol and The Factory poses quite the challenge to any filmmaker attempting to capture the look, feel and pain of that world unto itself. On the other hand, when he referred to Edie as "baby," I wasn't convinced. Alright yea its a mess, but going in KNOWING it is a mess allowed me to view this film with more forgiveness than the average film critic was willing to shell out. "Im not-i'm not trying to say anything, I sing about what i see." Was it worth it as-is? Edie and Andy Warhol fans will be ecstatic, and kids who've never heard of either will be mesmerized by Edie's tragic beauty and story." The filmmakers have done the impossible: taken the story of Edie Sedgwick, Andy Warhol's muse and the object of underground fascination for Forty YEARS and produced a movie so banal, predictable, and downright boring that the they must be applauded for even releasing it. What to Watch Latest Trailers IMDb TV IMDb Originals IMDb Picks IMDb Podcasts. How can you do a film about Warhol and The Factory without any Velvet Undergrond & Nico characters and no mention of the Exploding Plastic Inevitable? The result feels energetic but ultimately rather cursory in the way he depicts the Manhattan party scene in the mid-1960's, in particular, the Factory, where Warhol let his coterie of drug-addicted fame-seekers gather to make virtually unwatchable films that reflect their constant state of ennui. 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